Monday, February 22, 2010

Shane (1953)


I could say I enjoyed this movie, but then I’d be lying… Between all the Shanes and the Bang Bangs, during the middle of the movie the kid was right, I did want to shoot something... Myself. And I think the whole class would agree with me, well actually Millie just wanted to shoot little Joey. This definitely was not a favorite movie of ours, but it was made and our class watched it. So, here's a little bit about the movie Shane...

Shane’s mission is to settle down and find a place to stay. However, there becomes a settler conflict, which forces Shane to take action.

A loner, also known as Shane, comes across a nice family, the Starretts. The Starretts are homesteaders who want to farm the land. A three-day ride away from them are the ranchers. The Ryker brothers, also known as the ranchers, try to intimidate the homesteaders hoping they will leave what they believe to be their land. They do not want any farmers around, they just want to raise their cattle. However, the homesteaders are strong and won’t give in. Joe Starrett wants to build a life for his family, Marion and his son Joey on this land. Shane, who happens to be a gunslinger, befriends this family. Shane wants to settle down with the homesteaders however instead he gets into the middle of this tension between the homesteaders and the ranchers. A gunman killed one of the homesteaders, thus the tension kept increasing. So, Joe Starrett felt he had to do something, however instead Shane takes over and rides into town where he kills the Rykers and the gunman. Shane is a hero as he makes this western town safe again for all. He says goodbye to little Joey who looks up to Shane and then rides of into the distance…


Many critics believe that Shane is a masterpiece because of its simplicity and pure American style. The movie takes on stereotypes and embraces them. The characters’ appearances tell the audience exactly who they are. There is nothing shocking about the film, it is just straight to the point and takes on the truth. The film, Shane, sums of the West, such as individualism, initiative, persistence, lawlessness, violence and also racism. The entire movie encapsulates the West, which makes it such a well-known film in the Western genre.


Our class discussion consisted of bashing the entire movie, Shane himself and the little boy, Joey. Nothing really came out of our discussion as many of us, no wait, ALL of us did not like the movie. We discussed whether Shane is American or not. Many of us argued that he was not American and some argued that he was American. In my opinion, he takes on many traits of an American, thus making him American. Either way I think we could all agree on...


"Shane ... Shane ... Come Back!" -Joey

No Shane. Please don’t come back…


Friday, February 12, 2010

High Noon (1953)


High Noon (1953)

Although High Noon didn't have a smashing success at the box office when it was released in July 1952, it made a profound effect on westerns for years to come. In fact, John Wayne hated this movie so much that his next movie was a direct response to High Noon.

Mission: A town marshall goes looking for people to act as deputies when a murderer he sent to jail returns, seeking to kill him.

Plot: The town marshall of Hadleyville, Will Kane (Gary Cooper), has just gotten married to a Quaker named Amy (future Princess of Monaco Grace Kelly). He's about to leave town for good when he learns that there are three guys waiting at the train station for the noon train supposedly carrying Frank Miller, a murderer Kane convicted years ago and was to be hung until he was sentenced to jail and released. Once Frank Miller arrives, the three of them will come into town with the intent of killing Kane. The townspeople insist that he leave town with his wife, which Kane does, but he eventually turns around and comes back to town to fight. This upsets his wife, sending her to the train station to get a ticket to St. Louis. However, feeling uncomfortable with the three bad guys waiting for Miller, she decides to wait in the town's hotel.

Up until noon, Kane goes to the town's saloon, church, and even a couple of friends, who all refuse to help Kane fight the men for various reasons. Even his deputy, Harvey Pell, refuses to help him, and even fights Kane at one point in the film. Kane is eventually left to his own devices to fight the men.

Meanwhile, Helen Ramirez is fed up with her husband, deputy Harvey Pell, and prepares to leave town. Amy ends up meeting her, and the two of them proceed to the train station for the noon train.

At noon, the train with Miller arrives, while Ramirez and Amy board the train. The four men then come into town prepared to kill Kane. Kane successfully kills two of the men, but gets his arm wounded in the process. Upon hearing gunfire, Amy runs off the train, only to hide in the town. She ends up finding a gun, and kills the third gunmen in the back. However, Miller finds her and takes her hostage so that he can get to Kane. But before Kane comes and surrenders, Amy claws Miller's face, who as a result releases her. Kane then quickly shoots and kills Miller. Kane and his wife then leave the town for good.


Significance: Arguably one of the best film westerns, it was highly controversial when it was released. The film was seen as a response to
McCarthyism, which was particularly rampant at the time of the movie. High Noon is also significant for its real-time storytelling, as the film starts at 10:35 and goes til noon when the fight begins.
In addition, this film was a major favorite of President Ronald Reagan, Bill Clinton, and even George W. Bush.


Discussion: We talked about the different themes of the film, particularly the actions of Ramirez, who seems to own pretty much everything in the town, such as the saloon, and Amy, who forgets her Quaker beliefs and ends up killing a man and helps her husband by scratching Miller, making him an easy target for her husband. We also talked about the town's refusal to help Kane, and also how they are left without any marshals or any kind of police once Kane leaves. We also mentioned the appeal of Kane, and especially considering his age and how a lot of westerns we have watched have people who are a lot younger than Kane, In addition, we also touched on Hollywood's response to "McCarthyism" of the movie since none of the town's residents agreed to help Kane.


Ryan Himel

Tuesday, February 9, 2010

Calamity Jane



Marthy Jane Cannary or as we know her: Calamity Jane was born on May 1st 1852 in Missouri. She was the oldest of six children and was known for her love of the outdoors at an early age. In 1862 Marthy and her family moved to Virginia City, Nevada. At this point in time Marthy’s mother had passed away and her father was depending on her to help run the house.

Except one day something terrible happened…Indians had an uprising and Calamity Jane was separated from her family. Jane was forced to carry on alone at the age of ten, to get by and seem strong she dressed in men’s clothing and always carried a rifle with her. Calamity Jane’s reputation slowly but surely grew she was known for her great shot with a rifle, asking men to dance, and for not being afraid of anyone.

In her life Calamity Jane was a prostitute, frontiersmen, and a professional scout. She was known for being a raging alcoholic and when she ran out of money she would trade sex for money and then go buy more alcohol. When Jane was sober she would partake in killing Indians. This made Jane both famous for killing Indians and infamous for being a prostitute. This made people fear Calamity Jane and her way of life, until she died on August 1st 1903.

The way Marthy Cannary got her nickname isn’t fully known however the general story is that:

"One day Captain Egan was surrounded by a large band. They were fighting desperately for their lives, but were being steadily, but surely slaughtered. Captain Egan was wounded and had fallen off his horse.

"In the midst of the fighting, it is said, the woman rode into the very center of the trouble, dismounted, lifted the captain in front of her on her saddle, and dashed out. They got through untouched, but every other man in the gallant company was slaughtered.

"When he recovered, Captain Egan laughingly spoke of Miss Canary as 'Calamity Jane,' and the name has clung to her ever since; so that while thousands have heard of her, very few have ever heard her real name.”


Information found at:


The Livingstone Enterprise, August 8, 1903, "Calamity is Dead", as quoted in "Calamity's in Town," p.32, by Bill and Doris Whithorn, 510 S. 8th St., Livingston, MT 59047.

http://www.cowgirls.com/dream/cowgals/calamity.htm

http://en.wikipedia.org/wiki/Calamity_Jane

American Quarter Horse: The Horse of the Frontier


The American Quarter Horse is a horse dating back to the 1600’s. At this time in America, these horses were mainly of Spanish origin. However, in the late 1880’s cowboys rode quarter horses because they were sturdy, willing, and quick. Their small heads and large muscled bodies were ideal for plowing, riding, and herding cattle. The quarter horse is a cross between Spanish horses, mustangs, and more domesticated breeds in Native American tribes. The quarter horse was irreplaceable even after cars and automobiles were invented because of their keen senses and quick reflexes. They were unofficially one of greater reasons why rodeos were started. Cowboys would have little competitions to see whose horse was better over a quarter mile distance. Over the years this racing has become a great sport. This being said, cattle ranches don’t use any other breed of horse to this day when it comes to reining, cattle herding, and wrangling.

Beef

Quick History: Beef were originally used for meat and labor. Horses later replaced beef for labor. One of the earliest breeds of beef imported was the Shorthorn, which was imported in 1783. They are known for average maturity rate and are easily recognizable due to their red and white roan color.
(Shorthorn Bull)

In 1817, Herefords were imported. They were one of the most popular breeds next to the Angus, which were imported in 1873. Both breeds were known for their early maturity rate. Herefords are generally red with white faces, chest and leg markings. Angus are all black.

(Hereford Bull/Angus Bull)












Another one of the most popular cattle come from the state that produces the most beef. Texas Longhorns are not used for beef anymore but are more of a symbol for the American West.
(Longhorn Bull)


Today most of the cattle used for USDA beef are the Hereford, Angus, and Shorthorn breeds. Most cattle that are shown though, are Crossbreds because they produce more flavorful meat. Other breeds have since been imported, such as the Charolais from France, and there are more than 900 registered breeds of beef in the world today.
(Charolais Bull)

Cowboy Gun Holsters



Cowboy gun holsters date back to the 18th century. The gun was a huge part of the cowboys’ life-he carried it everywhere; the holster was a necessity. If a holster was well made, the cowboy would be able to take his gun out with minimal movements. The oldest holster was used during the Civil War, and had a small loop that was fixed to the back, so that a belt was passed through it. The problem with this type of holster, however, was that it was difficult to remove the gun. Later, holsters were made that had a flap that was buttoned above the gun handle. Later, Texas holsters were made. Another version of a gun holster was one that was open in the bottom; this would allowed a gun with a long barrel to stick out a few inches. The most practical holsters were used by officers. It was designed in a way that allowed the finger to be placed in the trigger, and the thumb to reach the hammer. This design allowed the gun to be pulled out extremely fast. In short, the holsters were an extremely important part of “Cowboy Culture”, because they were a necessity for anyone who had a gun, which was most every cowboy.

Idolizing Outlaws of the "Wild" West

Wild Bill Hickock, Billy the Kid, "clubfoot" George Lane, George "Red Buck" Weightman, and many others have been idolized since their heydays in the wild west, but why did Americans feel so passionately about those who, by many standards, should have been locked behind bars? In the late 19th and early 20th centuries, the West was seen by many as a place of lawlessness, ruthless behavior, and a place where a life of order was just as common as one without. Land west of the Mississippi attracted those seeking not only adventure, but a place where they could cut loose and live under their own rules. This was ultimately a response to the very aristocratic and rigid cultural structure of the east. People on the east idolized those that were rich, powerful men who were able to buy what they want and talk their way out of conflicts. These people were looked up to because they found success through business and the expansion of a corporate america. Why then, would the most popular individuals from the "wild" west be outlaws? The west, which we have discussed as being almost purely a reaction to the ideas promoted on the east, began to idolize those who were able to be as physically powerful, manly, and lawless, as possible. In many cases, these men were those who operated outside of the law, making due with what they could and living the life they wanted. These outlaws were idolized because they took advantage all that the west had to offer, and were the most manly, un-east-like people in the country. They could do what they wanted, and their success was measured not by the amount of money they could make, people they could barter with, or how well they could speak, but rather that they could sling a gun faster than anyone, rob more banks than the average man, take what they want without asking, fend for themselves, and even ride a horse backwards during an attack from indians. In their own way, these men were heros, able to be pure men; uncivilized, gunslinging, real men. I guess Americans were able to overlook the unlawful behavior because the idea behind their actions was so pure and real, and so unlike those of the east.

Researched and Written by: Matt Rizzo and Jack Cookson